The mirror-presenting activity promoted the development and producing skills of bronze mirrors, and made the mirror well-appreciated by people from every walk of society. Several related textile fragments will also be displayed. Bronze mirrors, as part of Chinese culture, witnessed and recorded the history of China. A ritual wine vessel see main image with a stout oval body and an overhead handle, usually with a cover. They believed that mirrors could bring brightness and keep evils away. Previous Page 1 2 Next Page Specials. Usually cast from clay molds, they were highly polished on one side, offering a reflective surface, while the other side was decorated with intricate patterns and designs that reveal an astonishing level of skill and artistry in their craftsmanship. A ritual food vessel above with a compressed globular body, raised on a waisted foot, with a pair of loop handles usually decorated with animal heads. A gilt bronze chilong belt hook, Warring States period BC. Pay attention to the quality of casting and the style of design on the non-polished side. Many related descriptions can be found in ancient books. Ancient people endowed mirrors with many social functions. A pottery tomb figure dating to about the first century B. Ornaments and ritual weapons Bronze was also used to make ritual weapons including blades and axe heads, and elaborate ornaments such as belt hooks, which were an indication of status when worn by the elite. Cotsen purchased his first Chinese bronze mirrors in Hong Kong in the early s while serving in the Navy during the Korean War. Friends' Hall Lothar von Falkenhausen, scholar of art history and the archaeology of China at University of California, Los Angeles, speaks on the origin and geographic spread of Chinese bronze mirrors. The delicacy of the mirror reveals great skills and also high artistic value. A ritual cooking vessel above with a globular body, tripod legs and a pair of upright handles. These vessels are often inscribed with significant clan marks, indicating the calibre of the patronage surrounding their manufacture. It is important to understand the different styles associated with each period. Later this custom became widely spread among common people. In the exquisitely wrought designs and inscriptions that decorate the backs of these mirrors, centuries of craftsmanship, aesthetic taste, dynastic change, philosophy, and consumer culture are revealed. Volume I is a fully illustrated catalog of the collection by Suzanne Cahill; Volume II contains essays by several noted historians. Late Shang-dynasty and early Western Zhou-dynasty 11thth century BC vessels tend to have simpler inscriptions, while those on Western Zhou-dynasty vessels 9th-8th century BC tend to be longer and more complex. They regarded death as rebirth, so one could not live another life with nothing. Cultural History Lessons Yet mirrors also reflect the broad sweep of Chinese history—the rise and fall of dynasties, periods of war and peace, changing beliefs and values, and the influence of expanding commerce.
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