A studio sometimes grew to the point where additional photographers were hired but all the photographs produced were published with the original photographers name. At other times a studio might buy out the negative inventory of older photographers and reprinted their images under the current studio name. Passionate about genealogy research and helping others find resources and tools to confidently research their genealogy, Lisa can be found at LisaLisson. As this paper was manufactured before the advent of real photo postcards, its first release was on thin paper stock. Boxes of old photographs can sometimes come down the family with no indication of who the sitters are. Again, look online for different sleeve shapes through the ages and try to find ones that match those in the photograph. They were manufactured with postcard backs. Some halftone cards were printed on high gloss paper to resemble a photograph but their screen patterns will give them away if one is vigilant. Some are obviously older photographs. Although real photo postcards were made in a variety of ways, they hold one identifiable feature in common. They only needed to be fixed to preserve the exposed image. Who are the individuals in the photographs? The answers to these questions can narrow down which side of the family the photograph s belonged. Its ease of use made it the most popular paper on the market for real photo postcards. They were so familiar to the public eye that albumen became synonymous with photography. Not one photograph is labeled!
Many other brands of photo paper were also manufactured in Europe but rarely left the continent. They were manufactured with postcard backs. Some halftone cards were printed on high gloss paper to resemble a photograph but their screen patterns will give them away if one is vigilant. Collodion emulsions produced prints with a very fine tonal range and sharp details. Characteristics of the photograph itself provide clues to its age. You may not have much oral history in your family or a large extended family to ask. Sometimes instead of using masks the emulsion solution would not be applied to areas where white tabs were desired leaving behind a rough brushstroke edge. This practice was only cost effective on cards printed in large numbers; individuals and small photo studios could rarely afford to do so. While many amateur photographers numbered their cards this was most often done by larger studios. As this paper was manufactured before the advent of real photo postcards, its first release was on thin paper stock. Reach out to those distant cousins. Collodion however was highly flammable, which detracted from its popularity. Sometimes a photographer might expose a logo onto the image or hand stamp a name to the back of the card. If the name appears on the photo itself, it is because the negative was scratched into or written upon but it could have been printed at any time. The primary difference is the size. This photograph of Mary Elizabeth Scott below was taken in the early — mids. Solio paper was replaced by Studio Proof Paper, manufactured until Again, look online for different sleeve shapes through the ages and try to find ones that match those in the photograph. As time passes this silver tends to migrate to the surface of the print creating tell-tale metallic patches. The photosensitive solution used in this process soaks into the paper, so the original paper surface remains dominant in the final print. Most likely, but if not, the photograph was obviously treasured to have been kept throughout the years. They were much faster than collodion based papers and were able to be exposed indoors under gaslight lamps gaslight paper , but they remained slow enough to be used only in contact printing. She wears a typical hairstyle of the day with a middle part and the hair styled over the ears. Gelatin Prints - These chloride papers were made with very small particles of silver suspended in a gelatin emulsion. The photographs are all sizes. They tend to be vulnerable to contamination and can easily deteriorate.
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